Every Tom Cruise Movie: Epilogue

I watched Going Clear this past weekend and I thought it was a fitting wrap-up to the Tom Cruise movie-watching saga I’ve been on for several months. Going Clear, for those of you unfamiliar, is a movie adaptation of a book of the same name which chronicles the lives of members of the Church of Scientology, told mostly through stories from ex-church members.

It plays out both horrifyingly and not-at-all as a surprise. The religion was invented by a severely troubled man who was both looking for an answer to his problems and also for a way to swindle people out of their money without paying taxes. It has evolved into a hugely wealthy mega-church that does no social good at all but is so horrifying to deal with that even the IRS is afraid to take them on. It asks the question, “what constitutes a religion?” but doesn’t answer it. It just tells a compelling and difficult story.

I have a lot of thoughts on the above topic but for the purposes of this post I want to talk about how the movie describes Tom Cruise. Cruise has been involved in Scientology for quite a long time – the documentary doesn’t say when he joined specifically but it does mention that he became friends with Church Head David Miscavige around the time that he was filming Days of Thunder. Miscavige didn’t particularly like Nicole Kidman because she wasn’t a Scientologist and because her dad was vocally against their relationship because of Cruise’s affiliation with Scientology. It describes the role that the organization played in the couple’s breakup, and their involvement in his other romantic relationships.

It’s captivating. But to be brief, it left me wondering if the church of Scientology is responsible for the general public perception that Tom Cruise is arrogant and quite crazy.

The Tom Cruise of the 1980s was a young actor humbly trying to become a movie star by taking roles in any project that would cast him. He starred in multiple movies per year, sometimes in tiny roles. In the 1990s, Tom starred in projects created by the most talented names in cinema. He was clearly motivated by being showcased in front of diverse audiences and being seen doing quality work. He also appeared in 3 movies with his wife, Kidman, with whom he was clearly infatuated.

The Tom Cruise of the 2000s and now the 2010s is clearly a person who has everything. He knows that he is famous and that people will watch anything that he appears in. He also clearly is aware of his image, but as he has aged he has become less relatable and I would imagine that if you spent all of your time in the company of people who gave you anything you wanted and encouraged your every decision that you’d end up being kind of a dick.

I suppose anybody who was as famous as Cruise was in 2000 might have gone off the deep-end a little, and maybe his public perception today tells us more about how our society treats famous people than about Scientologists. But Going Clear made me wonder about that.

Anyway, here are my Top 5 Cruise movies:

1. Eyes Wide Shut – a truly haunting movie and a unique Cruise performance.
2. A Few Good Men – Cruise’s alternate-universe career of only starring in Aaron Sorkin movies would have been epic.
3. Jerry Maguire – The quintessential Cruise, uninhibited and at the high of his powers.
4. Risky Business – Cheesy, youthful, and fun to see Cruise before he was big.
5. Edge of Tomorrow – This is how I hope Cruise ages: playing a bit of a dope and letting other stars share his limelight.
*Honorable Mention: Cruise is great in Magnolia and it’s my favorite movie of all time, but in my opinion it’s not a “Tom Cruise” movie.

And here are my Bottom 5. In case you really want to punish yourself:

1. Far and Away – ugh
2. Born on the Fourth of July – puke
3. Knight and Day – blergh
4. Rock of Ages – He’s miscast and the movie makes me physically ill.
5. Cocktail – he’s actually not terrible in this but the movie is quite bad.

Thank you for reading.

Every Tom Cruise Movie, Part 38: Mission: Impossible – ROGUE NATION

I don’t have much to add to my thoughts about Mission: Impossible since reviewing the last edition in the series. It’s a TV series disguised as a movie franchise with little continuity outside of familiar characters. Each story from here on out, I believe, will have a similar structure, and that will allow the franchise to be flashy without being risky.

One thing that kind of bothered me was that Tom Cruise was back, and Simon Pegg was back, and Jeremy Renner was back, and Ving Rhames was back, but the series featured a new female character, and they didn’t include the female character from the last episode. Is it a problem to put more than two prominent female characters in the same action movie? Was it super important that they show Jeremy Renner being marginally important by appearing in 4 or 5 scenes and argue with Tom Cruise about some stuff but not important enough that Paula Patton’s character (who was characterized as flawed and emotionally compromised in the previous movie because she was grief-stricken over the loss of her boyfriend, another secret agent) have a chance to reappear as a badass female secret agent? 

Or did Paula Patton just not want to do another movie in the series? Maybe I could find these things out if I had some sort of massive network of all human knowledge that was accessible at a moment’s notice, but since no such technology exists, I suppose I’ll move on.

Tom Cruise’s last 8 movies, dating back to 2008, include 7 action movies (two mission impossible, two sci-fi, an action rom-com, a sort of noir type, and a historical thriller) and Rock of Ages. This is a far cry from the rest of his career which is full of variety. It’s weird because I remember always thinking of him as an action star but truly there isn’t another 8 year period in his career with out at least a role in a drama, an oscar-bait actor-showcase, or a lighthearted movie. He’s also pretty much stopped working with famous directors. His next 4 movies are a remake of The Mummy, another M:I sequel, a Jack Reacher sequel, a Top Gun sequel, and two movies directed by Doug Liman.

Maybe Doug Liman can save Tom Cruise. He directed the only truly enjoyable movie Tom Cruise has been in during the last 10 years (Edge of Tomorrow) and the only movies he’s planning on being in that aren’t remakes, sequels, or spin-offs.

More Tom Cruise analysis to come…

Next: Going Clear

Every Tom Cruise Movie, part 37: Edge of Tomorrow (2014)

So a few months ago I met a girl in New York whose brother worked on the set of Edge of Tomorrow and she said that in the scene where Tom Cruise is strapped to a gurney and trying to wriggle away her brother’s job was to strap Tom Cruise to the gurney, and Tom Cruise kept yelling at her brother that the straps weren’t tight enough because he wanted to make it look real, like he was really strapped to that gurney. And that totally fits my perception of what it’s like to be around Tom Cruise.

Anyway, I liked Edge of Tomorrow! It’s basically Groundhog Day, with violent aliens. I think I like the fact that the movie doesn’t try to explain all of the crazy shit it throws at you outside of giving a really brief, vague explanation. When Tom Cruise dies, he always wakes up at the same point of the previous day? It’s because of alien blood! There’s a fine line between being way too vague about key plot points and just having fun and not taking yourself too seriously, and I think Edge of Tomorrow kind of nails it which is a good contrast from Oblivion.

Also I just like the parable of Edge of Tomorrow, which is about how to be truly amazing at something you have to be terrible at it for a very very long time and fail so horribly that it feels like you will never get it, and it’s ok if you feel like giving up because as long as you keep trying you will eventually succeed.

I think the reason Edge of Tomorrow works is because most of the movie is just Tom Cruise and Emily Blunt talking. Yes the circumstance of the movie is extreme but it focuses on a relationship and lets the plot develop within the context of that rather than create a complicated plot line with lots of dips and dives and then shoehorn characters in to explain what’s going on. Tom Cruise does what he does at first not because he wants to save the world which is an abstract concept that it would make sense that his character (not to mention the audience) would have a hard time grasping, instead he does it because he likes Emily Blunt and he doesn’t want her to die. The audience has seen that relationship and they can relate.

The other thing that happens when you establish a meaningful and powerful relationship between two characters in a film is that it doesn’t matter how the plot ends. The ending of Edge of Tomorrow makes no sense but you are rooting for the people so it’s satisfying.

I’m going to write up ROGUE NATION (which can only be referred to in all caps) today and then I have some final Tom Cruise thoughts. I’m also going to review Going Clear in some capacity. Hooray!